I sold 14 of my 15 boxes of comics today, a collection accumulated over about 50 years. I started by buying at the Dresher 7-11, which is long gone. I traded many books back and forth with some good friends, and with an older kid who lived across the street and used to trade me comics from an orange crate of books he’d stolen out of a locker at his school. (That detail never bothered me because I wasn’t the one who’d stolen them. And because children are sociopaths.)
I was a huge Avengers fan as a kid because you got more characters for a quarter in each book, so why spend that money on just a one-character title? I liked the X-Men and the Justice League for the same reason.
As I got older, I kept buying Avengers to keep my run going, but I also got into the cosmic stuff, such as Adam Warlock and Captain Marvel. I bought a lot of Warren titles, such as Eerie and Creepy. And in the ’90s, I used to hit the bookstore around the corner from my Hoboken apartment to buy a lot of the X-titles I felt like reading. (Being a comic fan as an adult is much better, because you can just afford to raid the rack and buy all you like, for the most part.)
Some of them ended up being valuable, but I never would’ve predicted which ones. A few X-Men from the ’60s are worth the most because they’re in pretty stellar condition. I just happened to have bought the first appearance of Gambit. Iron Man #1, which I picked up for three bucks at a convention in the late ’70s. Or a ratty copy of the first appearance of Supergirl, which was one of the books we traded back and forth.
But I never collected for the money. Mine was a reader’s collection. Which is why some of my more valuable keys aren’t in the condition I’d like. Like the first appearance of Sabretooth in Iron Fist #14. I thought he was a stupid character, so I didn’t even bag that one for years. It was just crammed into a giant stack with all the other books I didn’t care much about. How was I supposed to know he’d eventually become a big deal?
Or X-Men #94, bought off the rack when it first came out. That was the beginning of the Claremont run. In top condition, it’s worth at least a thousand bucks, but not mine, which is probably worth less than half that due to it being just OK. And did I mention I used to have two copies? I tore the cover off the dupe and threw darts at it when I was a kid because I thought Count Nefaria was—once again—a stupid character, and what did I need with two of those anyway?
Oh, 12-year-old Mike. If only I could float back in time and tell you what to take care of.
But really, it was never about the money. I’m hanging onto the one box of keepers, and I may get five or six of them cleaned, pressed, and graded, but they’re just fun to hang onto.
They all helped me. When I was down, or lonely, or needed a mental escape, they were there for me. I read them over and over. And they helped me through some dark, sad times.
The beauty of it is that they’re headed to the local comic shop, some to be sold for 10 bucks each, others to be sold for almost nothing. But somebody looking to complete a run will be happy to have that Avengers they’ve been having a tough time finding for a decent price—or finding at all. Every title, no matter how obscure, is loved by somebody. There’s a home for that Defenders, that Omega the Unknown, that Howard the Duck, even.
And what actually chokes me up a bit is that the half-covers, which were never supposed to be resold at all, and even the no-covers—the issues I bought for pennies at the Montgomeryville Mart and The Bazaar, which were the places to go before the malls opened—will find a home. The guy who bought them said he has a free table where kids who don’t have money to buy anything will be happy as hell to have something to take with them.
That’s everything to me. As I told him, I didn’t care how much money I got for them as long as I wasn’t being ripped off. I just wanted them to get into the hands of someone who’d be as excited to have them as I was, some kid who doesn’t care at all that an old Hulk issue had half its cover slashed off.
These stories are the foundation of my imaginings. I would never have written the books I did without them, without Stan Lee, Chris Claremont, Jack Kirby, Steve Ditko, Gerry Conway, John and Sal Buscema, Neal Adams, Jim Starlin, Marie Severin, Frank Miller, and countless others I’m forgetting.
So long, old friends. Go fill the heads of new fans now, and may the love of story and the thrill of good versus evil never lose their appeal.
‘Nuff said.














